Charley Vines - Cheap Thrills - Opening Friday 31st Jan
PREVIEW: FRI 31 JAN. 18:00 – 20:00 There is something rewarding in existing, and producing, cheaply. Everybody loves a bargain. Using site as subject, Cheap Thrills come out of the repetitions, observations and habits of the studio and its locale. Both pedestrian and familiar, a study of these day-to-day rhythms also presents the opportunity to see the minutia, perhaps even the exotic. The paintings show attempts to refine and reduce, refine and expand.They are frustrated and indulgent – a little playful. Experimental objects suggest tongue-in-cheek value. Spinning disco-teeth, dancing boots - they activate the paintings, reminding them to reject the constraints of their medium. Cheap Thrills is an exercise in the processes leading towards an exhibition. The processes of experiencing and deconstructing the subject. The processes of painting towards an end.
RAYZON DETRA closing party Sat 18th Jan 2014
Micheal Crowe: RAYZON DETRA (ON ROMANCE)
Open 16 November 2013 - 12 January 2014, Friday - Sunday, 12 - 5pm
CRATE is pleased to present Razyon Detra (on romance), an exhibition of new work by Michael Crowe across Crate's project spaces and outdoor sites in Margate.
Romance can be reasonably thought of as unfashionable, twee, clichéd, anti-erotic and unrealistic in today's irony soaked world. Rayzon Detra offers a wealth of alternatives intended to breathe wild-eyed new life into this droopy genre, via texts, video, animation, survey, land art, publications and sculpture. Michael Jackson, distant planets, seeds, delicious litter, lies, unwanted sports gifts, Timmy Mallet and French New Wave all distort and melt in this contemporary swoon.
About the artist:
Michael is a writer and an artist. His large scale project, “Mysterious Letters” involves writing handwritten letters to everyone in the world (including you and everyone you’ll ever meet) with Lenka Clayton. He has exhibited internationally, most recently at FRAC, Paris; Kunst Halle Sankt Gallen, Switzerland; Simultanhalle, Germany. He has given talks at various venues including the BFI and the New Museum, NY and his work has been featured in Time magazine, BBC, the New Yorker, the Smithsonian and Frieze.
For more information contact curator Sacha Waldron email@example.com
Small, Unusual & Specialist Museums Survey
Halloween at CRATE 31st Oct 2013
The Birds. Alfred Hitchcock
CRATE/CRG HALLOWEEN 4D CINEMA EXPERIENCE
Join us this Halloween for a cinema experience like no other. We present the best in
SMELL-o-vision, FEEL-o-vision, SMOKE-o-vision, PROJECT-o-vision
Scared of the monsterous murder gulls that stalk the streets of Margate with bloodied beaks and eyes of death? ......after this evening you will be.
Screening: 31st October. 8pm (Free)
Followed by drinks and scary sushi. Fancy dress optional but recommended.
For further information on the programme contact CRATE Curator Sacha Waldron:
CRG is Crate's Collaborative Research Group, an alternative internship programme developed with UCA.
Benedict Drew - The Concha Institute : 4 - 11 Oct
CRATE hosted the Davis Lisboa Mini Museum of Contemporary Art, Barcelona. The last show was The Concha Institute by Benedict Drew which ran until 11 Oct. > Bill Burns, Hou Hanru Hear Us > Betts Robinson, Magical Crystal Garden > Andy Warhol, Shirt/Television > Bridgette Ashton, Margate Subterranea > Clawson & Ward, Overdubbed Scenes > Benedict Drew, The Concha Institute
The Small, Unusual and Specialist Museums Survey engages with small, unusual and specialist museums across Europe, and hosted seven miniature exhibitions at CRATE over Aug/Sep/Oct 2013: Open Fri - Sun 12.00 - 6:00pm and by appointment contact firstname.lastname@example.org for further information
Clawson & Ward - Over Dubbed Scenes Sept 2013
Created in response to the Davis Museum’s format of display, Overdubbed Scenes hints at the malleable nature of museum collections. This malleability refers to the continuous re-contextualisation of an exhibit or archive. During this translation, the archive’s content is susceptible to a range of influences including; public opinion, capital and changes to the political landscape. Applying the methods used to re-animate and promote a collection, Anna Clawson and Nicole Ward directly refer to low-fi products produced solely for disposable merchandising. Incorporating the crop editing tool, the artists use a single snapshot* to provide the backdrop to Overdubbed Scenes. * Scene captured by the artists in front of the Soviet commissioned Ninth Fort Memorial to the Holocaust, Kaunas, Lithuania 2013. www.clawsonandward.co.uk
Bridgette Ashton- Margate Subterranea SEPT 2013
FRIDAY SEP 20 – THURSDAY SEP 26 2013 A new exhibition and walk by South-West based artist, Bridgette Ashton. The project is a new commission and a continuation of Ashton's series of Margate works originally launched at Turner Contemporary in 2011. Margate Subterranea looks specifically at three underground ‘attractions’ in Margate: The Vortigern Caves, the Clifton Baths Estate and the Shell Grotto. Ashton’s work looks at places and narratives, sometimes real and at other times invented. The pieces presented at CRATE survey ideas surrounding redundant or overlooked sites, objects and archives. They celebrate the paradox of the replica as visitor attraction and the nostalgia that surrounds it.
Paintings in Conversation - Aug 2013
CRATE studio holder Charley Vines spent a week using the project space to test out ideas and experiment with new ways to show her paintings.
An informal discussion event, Paintings in Conversation, took place on Sunday 18th August at 17.30 and was a continuation of a series of informal conversations between the studio holders and members of CRATE and LIMBO.
For more information: www.charleyvines.com
Come As You Go April 2013
Preview April 26th, 6 – 9pm
Live Skype performance from Dublin at 6.45pm
Open April 27th 12-5pm
Curated by Áine Belton
Conor Mary Foy, Vincci Huang, Louisa Love, Steven Maybury, Emrys Plant,
Holly Skinner, Clare Smith, Charley Vines and Jennifer Wright
Come As You Go is an exhibition about the use of space and materials inspired by geographical and temporal displacement. It is an open dialogue between the curator, artists and most importantly the audience. The title is recognition of how changes can take place, subtly overlapping and blending in with each other. It is about knowing and being able to recognize the many developments that circulate in daily life. At the center of each of these works is a sense of awareness of environment seen through materials and installation. Crate acts as a host site for these works that are comfortably unhinged. Come As You Go is about ideas, spaces and people in flux.